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Papers On Artists, Art Genre, & Famous Works Of Art
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“Self Portrait with Horn” by Max Beckmann
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An 8 page paper which analyzes the painting Self Portrait with Horn by Max Beckmann. No sources cited.
Filename: RAhornmx.rtf
Paper Title: “Self Portrait with Horn” by Max Beckmann

“September Morn” by Paul Chabas
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A 5 page paper which examines the painting “September Morn” by Paul Chabas. Bibliography lists 1 source.
Filename: RAchabas.rtf
Paper Title: “September Morn” by Paul Chabas

“The Art Spirit” by Robert Henri
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A 4 page paper which examines Robert Henri’s “The Art Spirit.” Bibliography lists 3 additional sources.
Filename: RAartspr.rtf
Paper Title: “The Art Spirit” by Robert Henri

“The Gulf Stream” by Winslow Homer and “At The Seaside” by William Merritt Chase
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A 9 page paper which examines the paintings “The Gulf Stream” by Winslow Homer and “At The Seaside” by William Merritt Chase. The paper compares and contrasts the two. Bibliography lists 3 sources.
Filename: RAhomer2.rtf
Paper Title: “The Gulf Stream” by Winslow Homer and “At The Seaside” by William Merritt Chase

“The Raising of Lazarus” by Rembrandt
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A 2 1/2 page paper which analyzes “The Raising of Lazarus” (1630) by Rembrandt. No sources cited.
Filename: RAremb.rtf
Paper Title: “The Raising of Lazarus” by Rembrandt

“The Return of the Body of Meleager to Kalydon and “The Indian Triumph of Dionysus”
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A 5 page paper which compares two sarcophagi, both from Rome, “The Return of the Body of Meleager to Kalydon” and “The Indian Triumph of Dionysus.” Bibliography lists 3 sources.
Filename: RAmeleag.rtf
Paper Title: “The Return of the Body of Meleager to Kalydon and “The Indian Triumph of Dionysus”

“The Weather Project” by Olafur Eliasson
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A 6 page paper which analyzes and discusses the art piece “The Weather Project” by Olafur Eliasson. Bibliography lists 3 sources.
Filename: RAolafur.rtf
Paper Title: “The Weather Project” by Olafur Eliasson

"Madonna Enthroned" Times Two: Cimabue and Duccio.
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(11 pp) One way that art history has been studied is to trace the development of the realistic portrayal of the human form through visual art. We move from the ideal of the Greek physical body, to the early Gothic Christian influence of linear and simple depictions, forward to the beginnings of the Renaissance where once more the human shape starts to develop a realistic identity. Bibliography lists 6 sources and 3 visuals.
Filename: BBcimduc.doc
Paper Title: "Madonna Enthroned" Times Two: Cimabue and Duccio.

"Sword And Sheath," "Scholar's Studio" And "Red, White And Blue" - The Color Red
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8 pages in length. The color red in any context indicates strength, power and even defiance; in some cases, it also means a statement about war, conflict and other strife. Compared to all other colors of the rainbow, the color red is symbolic of political, social and religious ideals where a strong statement needs to be made. Within the art world, the color red represents the same indicators, often utilized in such a way as to blend with softer colors in order to temper the strength so prominent in red. Three countries with artists who proudly use red as a reflection of their nations' history are Africa, Korea and the United States, with red being a prominent color in Sword and Sheath, Scholar's Studio and Red, White and Blue. The theme associated with red in each of these works of art illustrates how each artist utilizes the color to represent strong emotional attachment to his or her country. Bibliography lists 9 sources.
Filename: TLCColorRed.rtf
Paper Title: "Sword And Sheath," "Scholar's Studio" And "Red, White And Blue" - The Color Red

"Veiled Lady"/Pietro Rossi
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A 3 page essay that describes and analyzes the "Veiled Lady," a marble bust by Pietro Rossi (1882). The writer gives a brief background on the work and then describes it in detail before discussing its features. Bibliography lists 2 sources.
Filename: khvelady.rtf
Paper Title: "Veiled Lady"/Pietro Rossi

"Vertumnus And Pomona" By Boucher
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3 pages in length. Francois Boucher's artwork is particularly intriguing due in great part to the social and political changes that were occurring during this time period, a metamorphosis Boucher creatively adapted into his paintings. Restrictive devices that heretofore kept a tight leash on what and how artists could craft their talents all but disappeared during this European rebirth, with the likes of Boucher taking every opportunity to display a much more elaborate, whimsical and even daring perspective. The royal court appreciated his unique style as well, having purchased and exhibited several of his pieces. Vertumnus and Pomona oil on canvas from 1757 is a good example of how the French artist establishes a more playful attitude during this era. Bibliography lists 1 source.
Filename: TLCVertumnus.rtf
Paper Title: "Vertumnus And Pomona" By Boucher

17thC Landscapes: El Greco & van Ruisdael
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(5 pp.) Throughout Europe, artists were once more relating to the bounty that they considered home. This included their physical home as well as their spiritual home, both were reflected in their landscape paintings. We shall see this in Toledo by El Greco and Wheatfield by van Ruisdael. Bibliography lists 3 sources and 2 visuals
Filename: BBelGvnR
Paper Title: 17thC Landscapes: El Greco & van Ruisdael

19th Century Images and African Americans
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A 3 page paper which examines how the 19th century images of African Americans reflects their experiences. Bibliography lists 1 source.
Filename: RA19afam.rtf
Paper Title: 19th Century Images and African Americans

2 Davids/Donatello & Michelangelo
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A 5 page research paper that contrasts and compares two great works of art -- the "Davids" sculpted by Donatello and Michelangelo. The writer relates these two works to the political situation of Florence and discusses the significance of these works to art history. Bibliography lists 4 sources.
Filename: kh2daves.rtf
Paper Title: 2 Davids/Donatello & Michelangelo

2 Dutch Masters, Leyden and Steen
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A 6 page research paper that examines two Dutch paintings, "Twelfth-Night Feast" by Jan Steen (1662), and "Moses and the Israelites After the Miracle of Water from the Rock" by Lucas van Leyden (1527), and discusses the prominent features of both paintings, in terms of what sources indicate about the artist's life and possible intentions in creating each work. Bibliography lists 5 sources.
Filename: khjsalvl.rtf
Paper Title: 2 Dutch Masters, Leyden and Steen

20th Century Art at the Museum of Fine Arts, Houston
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This 3 page paper discusses 3 separate works housed at the Museum of Fine Arts in Houston. Bibliography lists 3 sources.
Filename: HVMFAHou.rtf
Paper Title: 20th Century Art at the Museum of Fine Arts, Houston

2D And 3D Art: Dimension Comparison
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5 pages in length. When one considers the fact that painters are two-dimensional artisans and sculptors represent three-dimensional art, one can readily surmise that while the two artistic modalities appear to have little in common with each other, the sculptor gains a significant amount of his craft from the presence of two-dimensional application. Even within the narrow boundaries of print art, the painter is able to transform his two-dimensional art into a three-dimensional creation with nothing more than a stroke of a brush. How is this possible? The writer discusses that for the painter this transformation requires only light; for the sculptor, the requirements are much more sophisticated. No bibliography.
Filename: TLC_2D.wps
Paper Title: 2D And 3D Art: Dimension Comparison

3 Art Works/High Renaissance
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A 7 page research paper that examines three works, one each by Titian, Da Vinci and Michelangelo, as artists of the High Renaissance. Titian's Assumption of the Virgin, Da Vinci's Last Supper, and Michelangelo's Sistine Ceiling are briefly discussed in relation to the artist's perspective and within the context of the period. Bibliography lists 7 sources.
Filename: kh3arthr.rtf
Paper Title: 3 Art Works/High Renaissance

A Color Proposal: Additional Study of Mataisse, Kandinsky, and Delaunay
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(5 pp) We are reaching a conceptual time when the exploration of the possibility of teaching components of creative thinking, through the use of color, to those who do not see that factor in themselves, but wish to learn it, either for personal gratification or career improvement. Through the additional study of these dramatic colorists, we would be able to not only tap into those who are visual learners, and do not perceive themselves as such, but would also be able to document the place of these artists in the history of the use of color in basic creativity studies, psychological studies, and potential work environments, and their color implications. Bibliography lists 7 sources.
Filename: BBcolpro.doc
Paper Title: A Color Proposal: Additional Study of Mataisse, Kandinsky, and Delaunay

A COMMENTARY AND COMPARISON OF S,M,L,XL AND REM KOOLHAAS:
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This 16 page paper details the events that brought the work of Koolhaas into the limelight, how his theories have expanded the perception of architecture, and how he has managed to bridge the gap between disciplines. This paper discusses globalization, moderism, and Koolhaas' visions for the architechture of the future and the present. A review of the book S,M,L,XL is given as well as examples of his work, which are studied in length. Bibliography lists 7 sources.
Filename: mbkoolhaas.rtf
Paper Title: A COMMENTARY AND COMPARISON OF S,M,L,XL AND REM KOOLHAAS:

A Comparison of a Painting and a Woodcut: Burne-Jones and Degas
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A 5 page comparison of Degas’ “Woman Seated Beside a Vase of Flowers” and Burne-Jones’ “Chant d'Amour” (“The Love Song”). The author emphasizes that Degas’ painting is less complex in terms of its subject matter than Burne-Jones’ woodcut but that Degas relies on color and contrast between shape to accentuate his image while Burne-Jones’ incorporates graphical detail and more subjects as integral elements. No sources are listed.
Filename: PPartCr2.rtf
Paper Title: A Comparison of a Painting and a Woodcut: Burne-Jones and Degas

A COMPARISON OF CAMPIN’S ‘THE ANNUNCIATION’ AND ‘HOLY TRINITY’ BY MASSCCIO
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This 5 page paper compares and contrasts Campin's Annunciation to Massccio's Holy Trinity. Examples given. Style, content, religious symbolism analyzed. Bibliography lists 5 sources.
Filename: MBrenart.rtf
Paper Title: A COMPARISON OF CAMPIN’S ‘THE ANNUNCIATION’ AND ‘HOLY TRINITY’ BY MASSCCIO

A Comparison of Religious Statues; Nataraja and Sedes Sapientiae
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This 5 page paper considers the similarities and differences in the two very different art works. The construction, symbolism, interpretation and presentation are all considered as well as the cultural setting against which they would have been interpreted by contemporary audiences. The bibliography cites 7 sources.
Filename: TErelsta.wps
Paper Title: A Comparison of Religious Statues; Nataraja and Sedes Sapientiae

A Comparison of the Artistic Style of Children’s Book Illustrators Pat Cummings and Rosemary Wells
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A 7 page comparison of the work of these prominent illustrators. This paper discusses the artists ideology as well as their respective styles. Bibliography lists 3 sources.
Filename: PPartChildIllus.rtf
Paper Title: A Comparison of the Artistic Style of Children’s Book Illustrators Pat Cummings and Rosemary Wells

A Comparison of the Self-Portraits of Three Women Artists: Frida Kahlo, Paula Modersohn-Becker, and Kathe Kollwitz
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A 10 page comparison of these early twentieth century self portraits. The author provides a graphical description of each and contends that the work of each of these artists is intended as much more than a physical record of their appearance. Instead, it is a reflection of the many factors which have shaped their lives. Bibliography lists 3 sources.
Filename: PPartSlf.rtf
Paper Title: A Comparison of the Self-Portraits of Three Women Artists: Frida Kahlo, Paula Modersohn-Becker, and Kathe Kollwitz


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